先发五虎

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一群公民对社会秩序的看法以及使用暴力警察的合法性提出质疑和对抗。

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本片记录了临终关怀志愿者的故事，在陪伴临终者的同时，他们也明白了人与人之间陪伴的真义，懂得了应该如何陪伴自己和陪伴家人。

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大卫·爱登堡爵士跟随英国东盎格利亚大学教授本·加洛德带领的团队，前往英国斯温顿的采石场。在那里出土了大量的猛犸化石，丰富程度堪称英国近二十年来本土猛犸发现之最。
　　2017年，两位业余化石采集者在斯温顿的采石发现了这些猛犸化石，与其一同出土的还有可能属于尼安德特人的石制手斧。是尼安德特人屠杀了这些巨兽吗？本纪录片将探索猛犸集体死亡的真相。

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Narrated by two-time Golden Globe® nominee Ewan McGregor, Humpback Whales is an extraordinary journey into the mysterious world of one of nature’s most awe-inspiring marine mammals. Set in the spectacular waters of Alaska, Hawaii and the remote islands of Tonga, this ocean adventure offers audiences an up-close look at how these whales communicate, sing, feed, play and take car...

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　　A man travels around the vast wilderness hunting various animals. He hunts everything from birds to bears. Once the animal is bagged he demonstrates how to process the game and cook it.

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　　一名男孩遭到残忍谋杀，而他的监护人和社工的公开审判，让人不禁质疑现有体制是否能保护弱势儿童

简介：

　　本片是苏联纪录片导演，“电影眼”理论的创始人吉加•维尔托夫（Dziga Vertov）的代表作。电影主要拍摄于乌克兰的敖德萨市，摄像师是维尔托夫的哥哥米凯尔•卡夫曼（Mikhail Kaufman）。影片主要分观众入席、城市黎明、人民的工作与休息、体育运动和艺术实践几部分，通过刻画人民生活的方方面面来呈现苏维埃新社会中的一个理想城市。摄影师米凯尔•卡夫曼在拍摄的同时也出现在电影画面中，首创了“自我暴露”的电影形式。在这部具有里程碑性突破意义的纪录片中，维尔托夫首次使用了二次曝光、快进、慢动作、画面定格、跳跃剪辑、画面分割等前卫剪辑手法，并采用了仰角、特写、推拉镜头等新颖的拍摄手法，并制作了一段定格动画。

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　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

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1949年以前，北京的地名是北平。“北平”这个地名随着新中国的诞生而成为历史，但位于北平以北的“平北”这个名词，却承载着浴血抗战英烈的壮举而历久弥新。八十多年前，内忧外患的中国狼烟四起，北平已放不下一张书桌。具有民族担当的中国共产党人组织北平学生抗日救亡。参加学运的骨干后来成为八路军知识分子团的骨干力量，为开辟平北抗日根据地血染长城内外。平北抗日根据地处于华北抗战最前沿, 对平西抗日根据地起了“挡箭牌”的作用；并成为冀东抗日根据地的交通站及战略依托点，牵制、抗击了大量华北日伪军，对晋察冀乃至华北抗战的胜利都具有重要影响。该片讲述1938年至1945年间，八路军3次挺进平北，以及八路军中唯一的知识分子团----晋察冀挺进军第十团，以极大的牺牲与艰苦抗争开辟平北抗日根据地的故事。影片以主人公白乙化为代表的一二九学运骨干和以段苏权为代表工农红军，在民族危亡的时刻挺身而出，胸怀民族大义和家国担当，高举青春战旗，深入敌人的心脏虎口拔牙，依据党的建设、武装斗争、统一战线三大法宝，在平北建立基层人民政权、建立抗敌军分区司令部，带领平北人民英勇抗战。

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在《秘食中国·广西篇》中，中哈混血星厨布兰特作为向导，带领观众深入桂林、阳朔、柳州、南宁等美食胜地，揭开这片土地如何以“酸、辣、鲜、甜”为语言，讲述食物与地域、传统与创新的对话。《秘食中国·广西篇》穿梭于市井小巷与秘境私厨，从传统米粉、螺蛳粉的坚守到新派广西菜的探索，从牛八宝的酸辣奔放到油茶火锅的养生哲学，从夜市的碳水狂欢到糖水铺的温柔甘甜，尝遍广西的极致风味，呈现地域特色美食背后的烹饪技艺。广西的味道，是山水的馈赠、时间的沉淀，更是人间烟火的生动注脚。该片不仅记录美食，更走进博物馆、老字号与家庭厨房，聚焦广西米粉盛宴、嗦螺文化、酸味小吃、糖水凉茶等地域基因，捕捉城市脾性与几代人的集体记忆，解码食物背后的历史渊源与人文温度。

简介：

　导演亚历山大·纳诺跟随罗马尼亚报纸Gazeta Sporturilor的一个精锐调查小组，试图揭露一起巨大的医疗欺诈行为，这些欺诈行为让大亨和政客致富，并导致无辜公民死亡。